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3232Criteria for analyzing photography
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Fri, 18 Sep 2020 11:01:32 +0000http://www.benchrismanblog.com/?p=919Photography is not only an aesthetic product but a mass medium as well. Isolation from space and time: The cutout and the moment The infinite three-dimensional space and the infinite one-dimensional time are detached and frozen by photography. You may […]
The post Criteria for analyzing photography first appeared on Ben Chrisman Blog.]]>Photography is not only an aesthetic product but a mass medium as well.
Isolation from space and time:
The cutout and the moment
The infinite three-dimensional space and the infinite one-dimensional time are detached and frozen by photography. You may check https://doktorfit.edu.pl/member-xxl/ and scrutinize the photos there.
The idea of endlessness in space and time:
In the imagination, the fragment photo refers to the spatial before, next, and behind and to the temporal before and after.
The perspective:
Photography continues the view of the world of the Renaissance.
Through the lens, man becomes the measure of all things, the center of the world.
The central perspective is particularly evident on straight lines of flight.
The angle of view, the focal length:
The telephoto reduces the section. The images appear clear, calm, and static, but also flat. The shallow depth of field focuses on the center.
The wide-angle enlarges it. It causes confusion and restlessness, dynamism, and spatial depth. The foreground is emphasized. Large depth of field.
The position: frontal view, top view, soffit view, oblique view
It is the most central means of creating the image statement!
The frontal view shows the normal view of things at eye level. Vertical and horizontal are emphasized. The statics and timelessness of the motif are emphasized.
The supervision: the gaze is above the things. It creates an overview in the truest sense of the word.
The view from below: the viewer is dominated by the picture elements, they appear overwhelming, monumental, and authoritarian.
The oblique view creates dynamism, momentariness, and spontaneity.
Motion blur:
It is a specifically photographic stylistic device and does not exist in any other pictorial medium.
Sharpness and blurriness through aperture selection:
You can highlight important image elements and increase the depth of the room. The depth of field is determined by the lens and the choice of aperture.
The light:
The glamor light is a soft light shining at an angle from above.
The flash gives sharp edges and shadows. It pulls out the foreground and darkens the background.
The double exposure is also a specific photographic stylistic device.
Overlap and transparency
Overlaps and transparencies can be typical photographic stylistic devices. They are generated during the recording or in the laboratory.
But they can also result from the motif: glasses, windows, mirrors, semi-transparent materials.